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Kieran Kane and Rayna Gellert
Saturday, June 29, 2019, 8:00 pm - 10:00 pm$10 – $20
These two renowned solo artists have joined forces to create a major new voice in American music. The songs are their own, the harmonies finely tuned, and the playing—on guitars, fiddle, banjo, and more—glances back to early American forms even as it peers forward with freshly contemporary ideas. Tickets now available.
Kieran Kane has been referred to as “the godfather of Americana music” for good reason. His seminal work in The O’Kanes and Kane Welch Kaplin, as well as co-founding the independent label Dead Reckoning Records, laid the foundation for the contemporary world of Americana music. A successful solo artist, collaborator, and songwriter (with songs recorded by Alan Jackson, John Prine, Emmylou Harris, and many more), Kane is a musician’s musician: his playing is always understated, always groove-oriented, and always serving the song.
If Rayna Gellert seems a preternaturally gifted songwriter, it’s because she’s seen farther into the old songs than most. Growing up in a musical family, she turned to Appalachian old-time music at a young age, becoming a prodigious fiddler and leading a new revival of American stringband music through her work with the acclaimed roots band Uncle Earl. An in-demand collaborator, she has toured and recorded with artists such as Scott Miller, Abigail Washburn, Toubab Krewe, and Robyn Hitchcock.
Kane and Gellert first met, fittingly, at San Francisco’s celebrated Hardly Strictly Bluegrass Festival, which led to their co-writing songs for Kane’s recent album, Unguarded Moments (Dead Reckoning). They joined forces again for Gellert’s 2017 release, Workin’s Too Hard (StorySound Records), which they also co-produced. Their first duo album, The Ledges, was released in 2018 on Dead Reckoning Records. Their second album together, When the Sun Goes Down, was released on March 20, 2019. Fans of either artist will recognize the musical kindred-spiritedness in their restrained and roots-oriented approach to both songs and arrangements.
Photo credit: Molly Secours